McCalls 7981, View D (new) and View A (toile)

Warning: The waistband on this pattern is 4" longer than listed on the pattern piece. Although it matches the other pattern pieces, it is larger than the lengths in the size chart. However, the discrepancy between the size chart and the pattern pieces can be accounted to ease. If you don't want ease at the waistline, size down. Do not refer to the measurement printed on the waistband, at least in the L-XL sizes. I prefer elastic in the back of my waistband and use the larger size to allow for it. However, it is nice to know after sewing the toile that I don't need the size XL in this pattern.

Another revelation from sewing the toile is button placement: Reviews of this pattern report a problem with gaping between the top two buttons. That problem ocurred with my flannel toile. It's because the buttonhole is placed horizontally on the waistband and vertically on the button band. In that case, the head of the buttonhole on the waistband should line up with the buttonholes on the buttonband, allowing the button to slide all the way over and still be lined up with the other buttons and the button band to align with the buttonhole band. In the toile, I centered the waistband buttonhole over the button band buttonholes. That didn't work because the pressure at the waist will make the button slide over the the head (left side as worn) of the buttonhole. The simple fix was to move the button over so that the bands align. However, on this and subsequent versions, I will place the waistband buttonhole further away from the edge of the buttonband and make sure the button is sewn in the correct spot to allow it to sit at the head of the buttonhole and still be lined up with the other buttons. Still, a fastener at the bottom of the waistband might help line up the button band with the waistband.

About a year ago, I made a wearable toile in this pattern, using View A, with an additional 6" in length. That made it between View A and B. I cut a size XL, even though L would have been large enough. Since there are only two sizes in the size block I purchased, it made sense to use the larger size for this wearable toile to allow for alterations and to take advantage of the drape of the fabric. This length used the full complement of 7 buttons, plain off white ones that were left over from a sweater project.

The fabric was purchased at JoAnn and was 3 1/4 yards of cotton flannel in a printed plaid, 44" wide, $11.90. After machine washing and drying, it shrank to 40" wide and 3 yards long. There is at least a yard left over, so the actual cost is nearer $8. The contrast fabric is a brown Buffalo plaid flannel remnant from JoAnn (161008103, 3/4 yard, 86 cents).

All pieces were cut out with the fabric flat, except for the back which was cut on the fold, folded along a vertical stripe. Nonetheless, the plaid matching was difficult and is not as good as it should be. Matching the pockets to the exterior fabric, which meant cutting two of each fabric, did work well, since the side seams sit at an angle and the pocket and side plaid pattern can not be matched the full length of the seam. Matching the front button bands to the front panels was close--the horizontal lines of the plaid match and the vertical lines would have matched if I were happy with leaving the seam of the band that the buttons are sewn to exposed. I was not, so the plaid misses matching vertically by 3/8".

The hem method was a simple blind hem 1 1/2" deep with the button band folded over the hem. I put tailor tacks in the button bands to mark button and buttonhole placement. However, the 1 1/4" buttonholes were adjusted to the button size to 1 1/8" by the machine and the placement is 3" apart. The tailor tacks, which took some time, might not be necessary, especially in a small plaid like this one, where the buttons can be placed along the lines of the plaid.

There is a little extra fabric in back waistband that is taken up by 14" of elastic which is sewn down at the sides (where a side seam would be). The elastic could have been a little shorter, but not any longer than that. Adding the elastic made it a 32" waistband.

The buttonholes were very quick and easy on the Janome. I will be looking for more patterns with buttonholes now. The buttonholes in the beige thread that I used for the skirt are quite obvious on the plaid. Black would have been a better choice since they run down the black/gray stripe. It is a relief that they are even and tidy, since uneven buttonholes would have been noticeable.

Even with the difficulty of plaid matching and button bands, it is very likely that I will make this pattern again. I have just the right amount of tan linen to make View D, no matching required.

Now for the second version, a size L cut from view D, but 3" shorter. This used 2 1/2 yards of 56" wide linen, in beige, nearly 6 oz. (5.88) per sq yd, so it is heavy. Cost was $32.38 from Taos Adobe Quilting. It washed and dried beautifully, even smoothing out some variations in the weave that were like slubs. There was just one large slub that hangs ominously from a tiny hole at the lower back of the skirt. With a dab of fray check, it may stay put and not fray. This fabric does not fray as badly as a thinner linen does, but it still frays, leading me to overcast stitch the unenclosed seam allowances. It is too heavy a fabric for french seams and too light in color for a contrasting Hong Kong binding finish that might show through to the front. (In my view, a Hong Kong finish isn't worth the effort if you can't use a cute contrasting material.) Assembly was much simpler without having to worry about matching plaid patterns. After stitching the back seam and side seams, including pockets, the the hem is next. Wait, what?

The hem is sewn before the button and buttonhole bands are attached, simply because they are turned under around the hem. Although the different order of assembly is not difficult, it precludes the ability to hang the skirt, letting the fabric stretch into place, before hemming. As a result, the hem may look a bit uneven. However, the fullness of the skirt may disquise most problems.

After the waistband is attached, there is slip stitching--down the bands, around the hem and around the waistband, about 6 yards of hand sewing. Actually, the hem is supposed to be topstitched, but if you're slip stitching everything else, why not the hem?

The waistband is a puzzle. Even after stay stitching the skirt at the waist, the waistband is too short. Perhaps if the stay stitching is done immediately after cutting the fabric, it will reduce the size of the waist. However, the instructions put the stay stitching off until the skirt is assembled. At least the stay stitching can be used to ease the skirt into the waistband. Finally, putting elastic through the back waistband brought the 36" waistband in to 32-33".

View D is quite long, would be a maxi skirt on me, so I cut it 3" shorter. The result, at 31", it is a little long. It is recommended that a skirt hem hit your leg at the narrowest part in order to be flattering. (!?Flattering in what way, should it make your leg look thinner or more muscular?) For me that would be 28" for a below-the-knee length and 34" for a maxi skirt. The buttons I have chosen are smaller than required, but I have them, they match, so on they go. The eight buttons are 3 1/2" apart, a little closer together than the pattern calls for the larger buttons.

The vest is a recently completed knitting project, something quick from leftover yarn. I thought I would have to make a top to wear with this skirt, but it turns out that my hand-knitted sweaters all look great with this skirt.

Button-up Dress, Peppermint Magazine

When I ordered the linen doggie bag cut I used for my Sorbetto top, I also purchased another cut from The Fabrics Store. This one was DB IL019, softened linen in Graphite, a dull dark gray. It was 1.5 yards long, 59" wide, and weighed 5.3 oz/sq. yd. The total paid was $13.78. Inspired by a dress I saw on Net-a-Porter, I was hoping I could get a simple sleeveless dress from this lovely linen. These are my inspiration photos:

The front is busy, with the contrasting buttons and scalloped asymmetric closing, but the back is simpler.

Once I found the Button-up dress pattern (a free download from Peppermint Magazine), I hoped 1 1/2 yards of this wide fabric would be sufficient. To work around the short yardage, I cut the facings from black Sheermist Batiste (45" wide, 65% poly/35% cotton from Hobby Lobby). This lining fabric was on sale for about $4/yard, but since it did not take a yard for the facings, the cost was less than $3. Even without the facings, I was short on fabric and had to cut one of the pieces. Rather than have a seam across a pattern piece, I cut the side front panels and added a pocket, lined in the batiste, at the seam. There will be lots of deets here because it looks so good that I may make this pattern again.

For the pocket modification, I first cut out the fronts, back and the side back. With the remaining fabric, I marked a line on the front side panel at the height for the pocket, (meaning my hand would easily reach the pocket and my fingers would just touch the bottom of the pocket when my arm was fully extended. I used the "lenthen or shorten here" line, measuring 5" above it.) Placing the marked pattern piece on the remaining fabric at the shorter section of what remained after I cut out the back, putting it at the fold, but not on the fold put the pattern piece over the end of the remaining fabric with my pocket mark on the fabric, within 1/4" of the edge. I cut out that piece, then placed that piece and the attached fabric (still pinned to it) on the longest part of the remaining fabric, the part that remained in the center after cutting out the shorter back side panel, lining up the bottom hemline to the end of the fabric. That allowed me to cut another piece of the front side panel that extended well above the marked pocket line. I folded down the extra fabric to make the front of the pocket bag. Then I cut a portion of the pattern, from 1" above the marked line to 8" below it from the Sheermist Batiste, following the pattern piece. This was attached to the top piece of the side front panel to serve as the pocket bag back. After sewing the Batiste to the top piece, I folded the bottom piece and topstitched it in place, keeping everything aligned with the pattern piece. To further secure it, I basted the bottom piece together an inch down from the topstitching. Then I marked the pocket bag in a tapering line that began 3" off center of the bottom of the bag and ended at the joining of the bag to the pattern piece on each side. Then I sewed the bag together, down one side, across the bottom and up the other side. After trimming and finishing the seams, I was on to the facing.

After prepping the facing according to instructions, I just turned the bottom up 1/4" and top stitched. There's not much fraying in the lining fabric. Then I forgot to stay stitch back neck and armholes, which made it hard to attach facing due to stretched out linen. Except for that, attaching the lining per instructions for front and neckline, pinking the seam allowance and clipping curves, and understitching were all simple. However, it isn't clear that the edge of the lining lines up with the edge of the placket that is then folded over after attachment, making the facing edge sit between the placket and the front of the body. There's no other way to do it, but the difference in the sizing of the facing and the body are not addressed in the instructions.

After I puzzled through the neckline facing attachment instructions, THEN they wanted me to use the burrito method for the armhole facing attachment. Wait, that is not necessary. I watched 3 or 4 you tube videos and the last one said that no is burrito needed if there is a back opening. Obviviously, that works same for garments with a front opening. Just for fun, I tried their burrito method. I didn't do it right and somehow pulled the dress through the shoulder to end up with the facing and dress wrong side out. No problem--I just pulled the front through the shoulder with my skinny little fingers. Since it worked once, I sewed the second side with the right sides together and the pieces flat. I found it much easier to sew without the burritoed fabric in the way. Then I repeated the trick I did on the first side to just pull the front through the shoulder.

While it was easy to understitch the armhole almost to the shoulder in the back, it was not so easy in front. The understitching there just goes to the princess seam. Sewing the side seam was easy except for changing back and forth between black thread for facing and gray for dress. I decided to use hem tape to make the dress as long as possible. I sewed the black hem tape on with gray thread in zigzag stitch. Black thread would have been better. However, since I used the gray thread to hand sew the hem down, there is gray thread visible at the top and bottom of the hem tape. I found the hem tape helpful as far as extending the narrow hem. However, the poly hem tape has no stretch and sticks out as the hem curves. A final note on construction: the interfacing covers the entire placket, resulting in two layers of interfacing when the plackets are folded over and stitched down. Cutting it and fusing it to the front half of the placket should be sufficient.

The buttonholes and buttons were done by my newer machine (Janome Skyline S3). The only problem occurred when the thread broke, stopping the sewing but not the machine, midway through the first half of the third buttonhole. I had to finish that one with manual zig zag and made notes in case it happens again. I think the thread broke because I had the machine speed set too fast. However, regarding thread, in my determination to find a better color match in the limited thread available locally, I noticed too late that I had sewn the dress in 100% cotton thread but purchased a better matching 100% polyester thread for the buttons and buttonholes. Three things to remember: sew buttonholes on slow speed, raise the needle between sewing each button (or set of eyes if you have a 4-eyed button) to reset the zig zag stitch, and check the thread content before you buy. On that last one, though, I don't have a preference on thread content. I realize 100% cotton may shrink, but I don't worry about that if I am sewing a fabric that will shrink along with it. Hopefully, they will shrink at similar rates! The buttons came from Hobby Lobby, gray plastic, $9.10 for 10 buttons.

Finally, here's the dress with my hands in the pockets so you can see them! This is also full disclosure that there is a good bit of width in this dress. I can go down a size in the next version. I am sorry about all the picky comments on the pattern. It is a great pattern. In my view, if the pattern is free, the company should not stress about the instructions. The instructions are very helpful. My comments are just for my own clarification when I use the pattern again.

Old Sewing Patterns

Retro, Vintage, or just plain old, is it worth it to save sewing patterns? Today, older patterns in uncut and excellent condition can be purchased on resale sites. Additionally, patterns from the 50's and 60's are now available in reissued form from the major pattern companies. Obviously, there is interest in using vintage patterns. How about those patterns we cut, use and age out of, should we keep them or not? Unfortunately, I can't definitively answer the question, but I can relate my recent experience in that regard.

A few years ago, I was cleaning out a closet and found about a dozen sewing patterns that I had saved for decades. Some dated back to my college years, the last time I had regularly sewn clothing for myself. Others were newer. Once the retail price of clothing declined enough to make it less cost effective to sew, my incentive for sewing vanished. At that time, I never really enjoyed sewing. It was one way of keeping my expenses down. However, even after switching to ready made, I still sewed for special occasions. Sometimes I could not find or afford exactly what I (or my family) wanted to wear. These few patterns spanned those years of occasional sewing. I went through these old patterns and kept some that were standard clothing styles, like skirts, tank tops, and simple shorts or pants. The others I posted on Instagram and asked if anyone was interested. Unfortunately, that post got no response at all. Much to my regret, I tossed the patterns in the trash can.

Over the next couple of years, my knitting feed was infiltrated with sewing posts. Project Runway was popular. All the pretty handmade clothes renewed my interest in sewing. First came upcycling my old jeans into skirts, then a new sewing machine. Finally, new patterns and sewing supplies. The newer tools and techniques have made sewing more enjoyable for me. I don't miss the old stuff, except for those patterns... I wish I hadn't tossed them. More on my biggest regret later.

Now on the old patterns that I kept. I have successfully modified a couple and use them repeatedly. Actually, there are only two items I tried that didn't quite work out.

I saved Simplicity 8192, 2 Hour Separates, published in 1992.

This is a great pattern! I bought it for the full skirt and made that for a formal event, in black moire. After that it went into the box with the other patterns. In my recent first attempts at sewing garments from scratch, I dusted this one off and produced two pencil skirts and a tank dress. The only item I hadn't made was the long-sleeved shirt. Well, I couldn't leave that untried.

Using off-white silk jacquard purchased from Taos Adobe Quilting, (2 1/2 yards, 50" wide, weighing 3 3/4 oz./sq yd.) I cut the size 12 shortened by 2 inches. Since there was a little over 1 yd left (39"), the cost was $20.

Although this pattern is designed for shoulder pads, this version doesn't have any--yet. As a result, it is roomy in the shoulders for a size 12. The silk fabric had enough drape to disguise the roominess, but small shoulder pads might be fun to try. The hips were too tight to go over other clothing but after narrowing the side seams as much as possible, it fit, just barely. The sleeves are big in the upper arms but fit in the lower arms. The sleeve length is fine. To make this again, I would need to use a drapey fabric, cut the body A-shaped and consider adding bust darts. The length could be shorter. As it is, with a 2" hem, it hits right at the hip join, my usual choice for top length. The hip width is 42", a good fit over a slim skirt but a bit too tight for a flared skirt unless I tuck it in or just let it bunch up a bit. It does work well under a jumper. The silk should be dry cleaned, but I have solved that problem--I never wear it.

Another I saved was Simplicity 7024, Ladies Front or Back-Draped Top. I used the heck out of this one back in the day, making several tops to wear under my suit jackets. When I stopped wearing suits it went in the box. Although I saved it, I didn't want another draped top--they don't make sense without a jacket. However, before I tossed it out, I became curious about the long-sleeve shirt. About that time, I placed an order from Fancy Tiger Crafts for several yards of their Rayon Honeycomb fabric. When they informed me that there was only 1 1/3 yards available, I figured that since it was 50" wide, I should be able to get something out of it. The cost was $18. I wouldn't have made that decision if I had realized that washing drastically alters this fabric. The bit I did wash as a test came out without the nice suede-like finish, dooming the rest to use as a toile.

My main focus was on altering this old pattern to fit now so that the cap sleeves are a flattering length and the waist and hips fit loosely. Also, the scoop neck and v-neck are great options. Originally, it was cut to the smallest size, a PT. Adding 1/2" at the fold for the front, back, and neck facings brought it to about a medium. Since the sleeve did not need to be larger, I left the armsyce and the sleeve a PT, shortened the body 3" at the marked line and brought the cut line out as large as possible above the hip, using all the material I had.

The cap sleeve is good, as is the scoop neck. The v-neck is too deep, but there is the option of putting a piece of material across it, either in the rayon honeycomb or in a contrasting material. It is wide enough in the hips at 44 1/2" but is large in the neck and sleeves. If I were to make this again, I would probably make the sleeveless version and keep it a PT at the top and facings, only adding the 1/2" at the hips and that or more on the sides. I would eliminate the v-neck and re-work the front neckline to a higher v-neck or a square neck. Instructions call for topstitching hems on sleeves and body. That was easy to do by turning up 1/4" and sewing it down(this material will not hold a crease), then sewing the hem down from the wrong side.)

This one was given away, so it might be worn, just not by me.

My big regret is the one pattern I tossed that I wish I had kept. It was a smock top that I made and wore for years. I put extra effort into it and was very pleased with the result. I keep looking for something similar but I haven't found it yet. If I had the pattern number, I am sure I could find it for sale.

There's the lesson here: Even if you don't keep the old patterns, keep notes. That way you will know the pattern, the size, and the method you used for all your makes. That is why I am still blogging -- this is my permanent record!

McCalls 7122, 8092, 7606 and 7862

This post covers my incompatible sewing patterns, ones that were sewn up, hung in the closet and mostly left there. It could follow the pattern of my earlier post "Drafting Simple Sewing Patterns" and be titled "Messing up Simple Sewing Patterns". However, the pattern numbers are a more useful reference. It is not that I want to blame the patterns--the problem is not with the patterns, but with my relationship with the patterns. We are apparently, for now, incompatible. Since I have put in the effort to write about the process (I usually make notes as I sew.), I will publish my thoughts, mostly so that I will be discouraged from repeating my mistakes. I'm sure someone will look up these patterns at some time. If so, they may benefit from my experiences. However, clothes fit differently on different people and look different in different fabrics. Sometimes you don't know until you try, so don't let my opinion discourage you from trying these patterns.

First up, but last made, was McCalls 7122, a raglan dress pattern for knits (leggings are included but not attempted by me). This pattern required 1 3/4 to 3 1/2 yards of 60" medium weight knit fabric for the dress, depending on length. The only difficulty in this pattern was the cutting, simply because the large pieces were hard to align on knit fabric. Otherwise, it was a breeze. There was enough fabric to cut the large in the C length with long sleeves. View B was my preference, but after the waist was raised by 2" it would not have been long enough. Although the short sleeves would have been preferable in this fabric, I knew they would look better on me about 4" longer. However, the short sleeves are cut in an arc at the hem, precluding lengthening them.

Here is a bit of the dress, just enough to give you the effect of the print. It looked much better in the photo I saw when I ordered it.

The fabric I used was more of the cotton/poly/lyca jersey from Fabric Mart (used quite successfully for McCalls 7650), this time in a green print. Since I had purchased 2 1/3 yards for only $10.50, I added the pockets from McCalls 8085. The fabric is 56" wide, very stretchy, and sews smoothly, no walking foot required. A simple narrow zig zag worked for all the seams. Although the pattern does not suggest it, I top stitched the seam allowance down below the neckband. I find this prevents the neckband from flipping down and echos the twin needle hems. I cut 2" from the sleeves and kept them long, and then cut 2 1/2" from the hem.

Neckband--that's a nice addition, so much easier than fussing with a turned hem. A neckband also allows me to fine tune the fit by sewing a narrower seam at the back, raising the back neck a bit. The back neck is 2" below the natural neckline in this pattern, a little low for me. I find that a back neck that is too low will make the front neck ride up. Maybe that is a misconception that I derived from knitting patterns that require short rows at the back neck to lower the front?

The combination of the twin needle and the walking foot worked well for the hems. It was all very easy sewing. What is wrong? Either the dress is just unflattering, or the print is a bit too much.

In a last attempt at this pattern, I made a quick top with the short sleeves. I was not pleased with this top, either--the fit and the fabric were the problems. The short sleeves sit up above my arms too much. The fabric was a combination of a remnant and the leftover print from the dress. The remnant I used was 2/3 yard long, 60" wide, 2106847, regular $6.99/yard fabric from Hobby Lobby. The usual 30% off sale put it at $4.89/yard; my total paid was $2.79. The fabric was 96% polyester, 4% spandex, brushed, very soft and very stretchy--close to 100% stretch crosswise, some stretch lengthwise. The fabric was too stretchy to sew nicely, even with a walking foot. Also, the rust color, although flattering to my skin tones, does not go with anything in my closet. Neither the dress or the top has seen much wear so far. That should be enough to warn me away from using this pattern again.

In the summer of 2021, I tried McCalls 7606 on the theory that a wrap skirt would be more comfortable than one with a fixed width waistband. That theory did not prove to be true. For the toile, I used a blue & white variegated stripe fabric from JoAnn, 42" wide, 2 1/2 yards purchased for $22.73 plus 1 yard purchased as a remnant for $3. Since it is striped and matching was a problem, there was not much fabric left after cutting the skirt. It was 100% cotton, made in Indonesia (machine wash gentle cold, tumble dry low, warm iron). After being washed on warm/cold and dried on low, it puckered like seersucker and would not iron flat. Due to the look of the fabric and the disappointing fit, I am sorry I took so much effort with this pattern. For this first try, I modified the curved hemline to be a straight one without ruffles or curves. I cut an XL for the back, and an XXL for everything else, leaving plenty of fabric to accommodate alternations, such as deeper hems--the pattern only allows 5/8" hems. In the end, I kept the hem to 1" since it must be curved due to the a-line shaping. It was easier to follow the pattern lines than to redraft them.

There is an error in this pattern. It shows the ties attached to the side seams. That is incorrect. The ties are attached at each end of the waistband and don't need to be inserted until after the waistband is attached to the skirt.

Next, I tried McCalls 7862, using a black "tie-dye" print from JoAnn, 100% lyocell "Tencel Denim". The cost for 2 yards was $33.58. (I bought another 1/2 yard in Santa Fe for $7.20 but did not need it to cut out this dress.) The fabric was listed as 52" wide but measured closer to 60" wide. The care instructions are machine wash cold, line dry, cool iron. It does ok in the dryer but does pucker under a more than warm iron.

I cut a size 16, moving the darts lower after viewing a Craftsy class on muslins. The fabric is very nice, stays basically as I bought it, smooth, with a little drape and a bit of body. It works well in this swingy type of shape. The sleeves are large so they stick out in this fabric. Overall, with the print and the way it stands out from the body, this dress looks a bit like a caftan.

However, after wearing this dress a few times, I found the neckline was too high in front. That was especially disappointing because fitting the neckline band to the dress was really difficult. The hem construction is similar, very difficult to fit together. Additionally, the back neckline slit is too long and gapes open. To address these problems, I removed the neckband, sewed up the back slit, then bound the neckline with bias binding that I stitched on and turned to the wrong side.

The photo above was taken before this alteration. Since then, I have worn and washed the dress several times. The fabric is puckering and the dress looks disheveled. The altered neckline is still uncomfortable. I doubt that I will use the pattern again.

McCalls 8092 is a pattern I purchased because I was hoping to use an Indian block print on cotton. Before I dared to invest in this lovely piece, I wanted to have a pattern that I felt suited it. A quick trip to the pattern counter was all I could manage, simple patterns were all I was attempting. This resulted in my choosing an off-the-shoulder dress that I hoped I could modify to a standard gathered neckline. Thus began the toile.

JoAnn Fabrics sells several lines of fabric by the name "linen". Some of these are 100% linen, some are linen blends with varying (15% to 85%) amounts of linen, and some have the appearance of linen. One of these is actually 70% polyester and 30% rayon, and is called "linen look". The cut of fabric I purchased last Spring was a beautiful golden brown, almost an ochre. It was listed on my receipt as Anhu(?) Tobacco Potting Soil linen, 52" wide, 2 1/2 yards at $15.39/yd. for a total of $38.48 (012993046). Although that price is a little more than I have been paying for fabric for a first try of a pattern, I thought I was buying 100% linen in one of my favorite colors, a golden brown that is between brown and ochre. Whether it is linen or not is a guess. After washing, it remained quite stiff but thin and a bit sheer. Some of it went for the back side of the two pockets in a skirt. The rest served as the muslin for this pattern.

This dress plus the belt takes over 5 yards of 60" fabric. With less than 2 1/2 yards in this narrower piece, there was not even enough for the dress in the size L. After the substitution of a short raglan sleeve from McCalls 7862, there was enough for pockets and the ruffle at the hem. That meant shortening the dress to the view A length (plus 1" because there was enough fabric and, for me, longer is better). Beside the sleeve substitution, the neckline is 1" higher to allow for the neckline to fall normally around the neck rather than the off the shoulder look of the pattern design. The hemline ruffle is cute, and the dress is a good length, but there is entirely too much fabric in the top of the dress and the sleeves.

After a run through the washer and hanging to dry, it is definitely a wearable toile. I doubt that it is wearable outside the house--even a belt does not improve it much. However, it tops out the cool and comfortable scale and is either a very nice nightgown or an at-home dress. It gets worn now and then, notably on trips when I want something comfortable to wear in the hotel room.

The second version of this pattern was inspired by a ready-to-wear dress by designer Anna Mason. It took some inspiration to move me to make this again. This one uses some quite nice batik print in a cotton that is lightweight, more like a poplin than a quilting cotton. It is an ombre print, meaning the colors (tones in this case, since it is all gray) get progressively darker from one selvedge to the other. There was 3 1/2 yards for $12.99/yd., 30% off, so about $30. Because of the color progress across the grain, I cut the fabric cross-grain, using view A again, with an inch added at the top and the bottom of the body pieces. There was enough fabric for the pattern sleeves, cut to the middle length as well as added pockets from McCalls 7862, as in the first version, and a longer ruffle. The front was cut into two pieces at the fold line to allow a seam that created a v-neck, as in the dress that inspired my second attempt:

To allow for the edging around the neckline, the shoulders should have been raised by more than the 3" I allowed.  As far as my version of this dress, the sleeves came out nice, the sizing looks good. I even made a simple belt rather than the belt that is part of this pattern. After that, there was not enough fabric left to cut the bottom ruffle in the darker part of the print. So I ordered more fabric. It was on sale at Hobby Lobby for $9/yard. Cutting a 3 yard strip 18" deep along the edge produced the piece for the bottom tier.

This dress falls in an awkward in-between, in between light fabric that would be cool enough to wear in warm weather and heavy fabric that would make the length right for colder weather; in between casual at-home wear and less casual going out wear. I haven't worn it much. As a result, I have not attempted to make this pattern in the precious block-printed voile but have selected another pattern for that piece.

Erin's Day Dreams Sweater

I had planned to knit an Erin Cardigan from Vintage Modern Knits, but I just could not work up enough interest in the design. That was especially troubling since I had bought the specific yarn required by the pattern, a blend of wool, cotton, linen, flax and soy silk from one of my favorite yarn companies, The Fibre Company, in one of favorite shades of my favorite color, green. I have knit a sweater from the book before and thus was familiar with the lovely cable patterns. Maybe too familar and thus disinterested? Then I remembered that I have long wanted to knit a Day Dreams sweater from an old issue of Cast On. It is knit in green dk weight cotton. Erin is knit in a sport weight. Combining the two patterns, with the challenges entailed, increased my interest enough to result in a cast on on New Year's Day.

Although it would have fit better in the small size, the medium was a safer choice, with the loose slouchy look that is more on trend. However, the design of the small size, featuring ribbing around the armholes, was much nicer than the additional cables the larger sizes required. To achieve a similar look in the medium size, I changed the cable pattern, keeping the double ribs and adding two more ribs by decreasing the cable away. Four ribs total was probably too many, or maybe the loose fabric around the arms is due to the yarn. The general rule is that an oversize sweater needs tighter sleeves. Since I did not modify the armholes and the sleeves to allow for that, this sweater has both oversize sleeves and oversize body. The sleeves could be shorter, the body longer. Since there's a skein of yarn left over, I can change that. But I am happy with it, glad it is a pullover, glad the cotton content makes it a comfortable fall wear. The color is nice, the cables of the Erin design and the Day Dream design work well together.

I am wearing it with one of the fold-over waist skirts I made last winter. I blogged this skirt design earlier, minus the following details. The skirt used 1 yard of Robert Kaufman cotton fleece in cedar (deep green). That fabric came from The Confident Stitch in Montana, for $12. Although it is listed as french terry fleece, it is more fleece than terry. Combined with 3/4 yard of olive green ribbed knit from Hobby Lobby. It did not take the full 3/4 yard--some of the ribbed knit was used for pocket fronts for another skirt. The ribbed knit is like all the other from HL, in poly, total $4. The drawstring is some cute cotton twill tape with bees on it from Hobby Lobby. It is a great skirt for the cooling Fall weather.

McCalls 8055 and McCalls 8085

I consider this my special occasion contingency outfit. A little dressy, but comfy enough for casual wear. After looking everywhere for a mauve python print knit fabric like the one I saw a Craftsy instructor display, I settled and ordered a similar fabric from JoAnn. Hers was a scuba knit, this one is a jersey that is 90% viscose, 10% spandex and 57" wide. I got 2 yards from for $13.58. Using the long a-line skirt view from McCalls 8055, I replaced the pattern's simple elasticized waistband with my successful fold-over waistband mod, using a ribbed gray rayon/poly/lycra knit from Fabric Mart. Although the slanted pockets I designed with that waistband worked well on the slim skirts, simple side-seam pockets were enough in this A-line skirt. Note to self: the pockets sit a little low; raise them if you repeat this make.

For the top, there was 4 yards of Matte Black 100% cotton Tissue Jersey Knit 44" wide, also from Fabric Mart for a total of $12. Since this top, cut from McCall's 8085, used less than half of that, fabric cost is only $6. That's good, because this fabric was badly biased and would not pull straight. I am not sure I can cut from it again. It is heavier than what I would consider tissue weight fabric, with a rough texture prior to washing. However, after a couple of wears and washes, it feels smooth. If this style stays in fashion, repeating this make would be a good thing. In fact, another shirt from the rest of this fabric would be a good thing. Perhaps washing the remaining fabric would shrink and straighten it.

The dress pattern was modified to make the top, adding the sleeve ruffle I used when I first made the dress and shortening the bodice by a couple of inches before adding a hem ruffle. The neckline is a bit too wide and does not stay in place well. A neckband would be a nice addition to this pattern.

ETA: I have merged here a post about another skirt in this pattern, one of the shorter flared versions. This one was sewn in May, 2021 after I had finished a bleached denim dress from the New Look 6458 pattern. Since the fabric was exceptionally heavy and comfortable (a rayon blend) for a jersey knit fabric, I bought a skirt pattern for it on Hobby Lobby's $2 pattern sale, McCalls 8055. There was enough fabric left over for the slim skirt but I had my heart set on the flared one. There was just enough for the shortest version of the flared skirt, barely, a 19" length, in a size 18, reversing the nap for the back. There is a little shading in this knit, but the variation in the print hides it.

Apparently, I cut the wrong length for the front, the 23" length, and then cut the correct length in the back. The next morning, although the difference in lengths was obvious, I decided to re-cut the pieces to allow a longer length. With a yoke across the top of the back, trimming the size 18 down to a 10, and piecing the waistband, it became a wearable skirt in spite of the error. The pattern itself is simple and the visible hem on my S3 looks great.  Otherwise, I used a knit stitch for the seams and a knit zig zag for the edgings.  I used the edge stitch that comes after the standard over edge stitch for top stitching the yoke seam in the back. Not perfect for that purpose, but ok. This is where a serger or coverstitch machine would come in handy, but if I cut patterns correctly, I won't need one for this pattern. I just need a nice medium weight knit, 1 1/2 yards of 60" would be more than enough.

This is the front

This is the back, with yoke

There are just small scraps left of this fabric, so I am allotting the rest of the purchase price to the skirt, $6. I have actually worn this skirt quite often during the summer.

ETA: Wrong pattern numbers, sorry!  I am reworking the black top and found my mistake in the pattern numbers here.  Corrected now, in 2025.  

Drafting Simple Sewing Patterns

How to: Watch a couple of online classes on pattern drafting, select cute, inexpensive fabrics and keep it simple. If the pattern is complicated, you will better balance reward and effort by finding a commercial pattern that has the elements you want.

The first pattern I drafted was based on the Craftsy class on making a custom A-line skirt. A pocket is on the right side. The zipper is on the left. Two darts each for front and back were copied from the slim skirt pattern, Simplicity 8192. A second pair of darts in the back is an option. If I make both the front and back larger (see comment in next paragraph about front), I can use both darts. Bias binding was used to finish the waist on the inside. The back and front are sewn together with 5/8" seam allowances. Since the skirt was a little too small, I reduced the right side seam allowance to 3/8". Still, there was not quite enough room.

Once I sewed bias binding on an inch into the waist to make it a little bigger, the fit was good. (Since the side seams taper outward, lowering the waist made it larger. The next one will need extra fabric at the front, using this one to alter the pattern. The bias binding was wide enough to put 1/4" elastic through it. That made a better fit for the waist and a more comfortable skirt. The hem was 2 1/2" deep, so the next one could be shorter if there is not enough fabric.

It is very cute, and the fit is good after the extra adjustments. After washing and wearing, it has stretched out and is comfortable, but baggy in the back. A more form-fitting one in the back might be more flattering, but it might not work well for sitting. This is, after all, an a-line skirt, not meant to fit below the hip curve.

The fabric is quilting cotton from JoAnn, 42" wide, 2 yards, $10, purchased for the circle skirt pattern but not enough. (The pattern envelope for the circle skirt lists 2 yards of 45" fabric as required for View A, the shortest option. However, what with the width being 3" narrower and the fact that the shortest option is very short, getting that pattern out of this length of fabric did not seem possible.) Although the print is very cute, the quality of this fabric is not great. The finish is soft without the sheen of the quilting cotton I bought at Taos Quilting. There's only so much one can judge from online photos. Another version would require either 2 yards of a narrow cotton or less of wider fabric.

The second self-drafted pattern was simpler to design but more difficult to sew. Cut, sew, gather eternally. That is my memory of the maxi skirt I threw together from thrifted fabric. The cutting was quick and easy, just measure and cut without a pattern. The sewing was simple, the tiers are stitched together at the sides to make loops of fabric and the top tier gets a folded-over band for elastic. The gathering, which required sewing the long bottom loops three times each, twice for gathering and once for seaming, exhausted my patience.

A second version would need a little change to the pieces if I want to add pockets. I found good consistent instructions across several websites -- it is reassuring when you see the same thing more than once. The first tier should be 1.5 times the waist measurement, the second 2 times the waist and the third 2.7 times the waist. But the length of each tier was less consistent. I went with what I considered most flattering, the first tier ending at my low hip, the second just above my knee and the third at my ankle. It looks ok, but the first tier is too short for side seam pockets.

This is a "boho" look skirt. As such, it suits me better than most of my makes, reviving those hippie days. The fabric is embroidered, tuck stitched and tie dyed a bright turquoise and indigo. I paid $10 for the entire piece and there is a little left. I made both these skirts last summer and have worn them frequently.